{"id":26163,"date":"2024-01-31T15:18:37","date_gmt":"2024-01-31T14:18:37","guid":{"rendered":"https:\/\/revistapublicando.com\/?p=26163"},"modified":"2026-01-31T15:50:26","modified_gmt":"2026-01-31T14:50:26","slug":"la-autonomia-de-los-no-vivos-la-imagen-como-representacion-productiva-la-cultura-digital","status":"publish","type":"post","link":"https:\/\/revistapublicando.com\/en\/la-autonomia-de-los-no-vivos-la-imagen-como-representacion-productiva-la-cultura-digital\/","title":{"rendered":"La autonom\u00eda de los no-vivos: la imagen como representaci\u00f3n productiva en la cultura digital"},"content":{"rendered":"<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1410\" height=\"2250\" src=\"https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?fit=1410%2C2250&amp;ssl=1\" alt=\"\" class=\"wp-image-26109\" style=\"aspect-ratio:0.6670089331553548;width:300px;height:auto\" srcset=\"https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?w=1410&amp;ssl=1 1410w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=188%2C300&amp;ssl=1 188w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=642%2C1024&amp;ssl=1 642w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=768%2C1226&amp;ssl=1 768w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=963%2C1536&amp;ssl=1 963w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=1283%2C2048&amp;ssl=1 1283w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=8%2C12&amp;ssl=1 8w, https:\/\/i0.wp.com\/revistapublicando.com\/wp-content\/uploads\/2026\/01\/1.jpg?resize=600%2C957&amp;ssl=1 600w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption class=\"wp-element-caption\">La autonom\u00eda de los no-vivos<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"\"><em>La autonom\u00eda de los no-vivos<\/em> offers a critical examination of the panopticon of our time\u2014Big Data\u2014from a philosophical and aesthetic angle that is deliberately unsettling precisely because it refuses to recycle commonplaces about \u201cthe digital.\u201d The book argues that the image in digital culture should be understood not merely as representation, but as a productive dispositif: a mechanism that manufactures realities, subjectivities, and regimes of visibility. Its force lies in identifying the \u201cattire\u201d that many celebrate\u2014technological promises\u2014and showing, with precision, what mechanisms of control, capture, and meaning are activated behind it.<\/p>\n\n\n\n<p class=\"\"><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/amzn.to\/49TSgKk\" target=\"_blank\" rel=\"noreferrer noopener\">Buy print edition<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/dialektika.org\/wp-content\/uploads\/\/woocommerce_uploads\/2021\/02\/Radi-Ramses-La-autonomia-de-los-no-vivos-uc7d8t-1-a0yfeh.pdf?\" target=\"_blank\" rel=\"noreferrer noopener\">Download PDF<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Description<\/h2>\n\n\n\n<p class=\"\"><strong>Author<\/strong><br>Rams\u00e9s Radi<\/p>\n\n\n\n<p class=\"\"><strong>Editors<\/strong><br>Dr. Jorge Gonz\u00e1lez Arocha; Dr. Miguel Dom\u00ednguez<\/p>\n\n\n\n<p class=\"\"><strong>Publisher \/ Imprint<br><\/strong>Dialektika<\/p>\n\n\n\n<p class=\"\"><strong>Series<\/strong><br>Philosophical Essay<\/p>\n\n\n\n<p class=\"\"><strong>Publication year<br><\/strong>2021<\/p>\n\n\n\n<p class=\"\"><strong>Format and length<br><\/strong>E-book (PDF) \u2013 80 pp.<br>File size: 1.91 MB<\/p>\n\n\n\n<p class=\"\"><strong>Editorial credits<br><\/strong>Design: RPPH Inc.<br>Cover illustration: Erick Miraval<br>Layout: Gabriel T. Beregovenko \u2013 RPPH Inc.<\/p>\n\n\n\n<p class=\"\"><strong>Language<\/strong><br>Spanish<\/p>\n\n\n\n<p class=\"\"><strong>Identifiers<\/strong><br>ISBN-10: 1-954987-00-5<br>ISBN-13: 978-1-954987-00-5<br>DOI: 10.51528\/dk.9781954987104<br>DOI URL: https:\/\/doi.org\/10.51528\/dk.9781954987104<br>SKU: LE002<\/p>\n\n\n\n<p class=\"\"><strong>Rights and licence<br><\/strong>\u00a9 Rams\u00e9s Radi, 2021.<br>This work is distributed under the Creative Commons Attribution 4.0 International licence (CC BY 4.0), which permits reuse, adaptation, and commercial use, provided that appropriate attribution is given.<\/p>\n\n\n\n<p class=\"\"><strong>Recommended citation (APA 7)<br><\/strong>Radi, R. (2021). <em>La autonom\u00eda de los no-vivos: La imagen como representaci\u00f3n productiva en la cultura digital<\/em>. Dialektika. <a href=\"https:\/\/doi.org\/10.51528\/dk.9781954987104\">https:\/\/doi.org\/10.51528\/dk.9781954987104<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>La autonom\u00eda de los no-vivos offers a critical examination of the panopticon of our time\u2014Big Data\u2014from a philosophical and aesthetic angle that is deliberately unsettling precisely because it refuses to recycle commonplaces about \u201cthe digital.\u201d The book argues that the image in digital culture should be understood not merely as representation, but as a productive [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[349],"tags":[],"class_list":["post-26163","post","type-post","status-publish","format-standard","hentry","category-books","entry","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails","has-product-nav"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/pc8m6L-6NZ","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/posts\/26163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/comments?post=26163"}],"version-history":[{"count":3,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/posts\/26163\/revisions"}],"predecessor-version":[{"id":26168,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/posts\/26163\/revisions\/26168"}],"wp:attachment":[{"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/media?parent=26163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/categories?post=26163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapublicando.com\/en\/wp-json\/wp\/v2\/tags?post=26163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}